Contribution
There is no way I will be able to post more than this today, but I did want to contribute even just a thought.
My thought is this:
What is the connection between music and cultural identity? Why is it that there is Indian music and Irish music and that there are not universal musical styles, if not timing schemes.
I remember learning that the Catholic church outlawed certain notes and chords as deviant, and that the Arabs who taught me the Arab beat on the guitar told me there were certain timings intended to put you closer to God.
I have noted on several occasions, and in these hallowed silos of silica information repositories, that the language a culture uses to speak can act as a window into its thought processes. I have been told by managers who hire for big banks that a clear communicator is assumed to be a clear thinker. What does our nonverbal communication say about our collective selves?
What about a heterogeneous society like the U.S. where segments of the population identify themselves by the music they assume, and from that, common fashion trends emerge, co-habitational living (in the case of Burning Man), and a complete culture is prepared to propogate itself to France!
But seriously, what do you think?
4 Comments:
I had a fabulous old guitar teacher growing up whom Cornelius will know. Chet had played in all-black jazz bands with Fletcher Henderson. He still had that cool-kat sensibility all these years later.
Chet used to say if men from Mars land on Earth, and play us music, it might sound different but would still have to follow the rules of theory--music being a mathematical relationship between frequencies.
I don't know: I'd still like to hear it.
Yes, Chet's comments stuck with me, too. I've always wondered about the mathematical relationship between notes. If the pattern requires certain spacing between frequencies, and we standardize on certain frequencies to represent, let's say, "middle c", then all the other frequencies are pre-ordained according to the pattern. If you think about it, we never hear the notes in between.
Well, that's not quite true. We hear them when an instrument allows the "bending" or "sliding" of notes. Perhaps this is why a certain increased level of emotion is often transmitted when a musician bends a note up to the next instead of just playing the two in succession. We get to hear that sound which the rules have kept hidden from us most of the time. It is subtle rebellion, carefully integrated into the balance of the music.
I think of it in a somewhat spiritual sense. All communication is but a tool for us to make sense of the complex thought and emotion swirling around in our brains since the day we were born. Math & language are different approaches to the same thing. Patterns & signs which are recognized by others give us the ability to share thought & emotion. In it's purest sense it is undefinable, but we simplify and standardize in order to communicate, as best we can, with others. Its all 0's and 1's, but it is fabricated. It smooths out the edges. Nothing we create, however, is as pure as the infinite variety found in nature. The boundless patterns of God are not limited by our own requirement to comprehend. Crazy....
A few things:
Math and language as sign systems sounds a lot like critical theory. Especially if you argue that all the notes are pre-ordained. Every variation is anticipated within the sign system. There is nothing new under the sun, only a rearrangement of the relationship between signs. Yadda yadda yadda.
Interesting. Makes me think of Douglas Adams, RIP, and Dirk Gently. The Holistic Detective Agency, if you remember, has lots about deriving music from mathematical representations of natural events, like the beating of a bird's wings.
Music as the art closest to God, with which I am happy to agree, also figures in the plot of that novel. Hope they make it into a movie.
We should have a "Hitchikers" movie night when it comes out, now that LOTR is all done.
Also!
Check out this Sound and Spirit episode:
http://streams.wgbh.org/scripts/ram.php?show=013_chant
All about the human voice and different styles of Chant.
Espeically check out around minute 29: crazy Buddhist chanting where the monks can create mutlitimbral parts from their throats.
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